Wednesday, May 12, 2010

66. Persepolis: The Story of a Childhood by Marjane Satrapi

I've referenced my geeky note-taking in the past couple of posts, and I just had to share the notes that I took on Persepolis:

recommended by Annie, she lent me her copy

super good, love the drawing, humor, serious moments

never fully understand middle east issues


That's it! That's all she wrote! :)

Wise, funny and heartbreaking, Persepolis is Marjane Satrapi's memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane's child's-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

Summary lifted from the book jacket. 

As you can see above, I barely took any notes while reading. I think this is because Persepolis is a fairly quick read and totally engrossing. It's rare that I don't want to turn away from a book long enough to tap away on the laptop for a few minutes. It's also rare for me to find something that I think is a valuable read, enriching my understanding of the world, that I also just plain enjoy reading. I love this line from the summary -- "It shows how we carry on, with laughter and tears, in the face of absurdity." -- because it perfectly encapsulates the tone of the book. I'm really glad that I decided to be open to graphic novels during the project, because each one that I've read so far has made me truly appreciate the story-telling in this genre. In conclusion, please read this book! It is amazing and I know you will love it.

65. Shutter Island by Dennis Lehane

I first heard of Shutter Island when the movie trailer started playing before every single movie I saw in the theater. Colin and I were both intrigued, and he decided to check the book out of the library. He read it pretty fast and furiously, and really loved it. But he asked me not to read it before we saw the movie; he was interested to see what my reaction would be without having read the book first. I kind of owed him one -- I read The Reader before we saw the movie adaptation, and I came thisclose to telling him the big reveal while we were watching it in the theater. I almost had to sit on my hands to stop myself from nudging him during the important parts and winking. So I was dying to see Shutter Island by the time it finally came out (why they pushed it back from October to February baffles me, but that's why I'm not a big-shot movie exec). I read the book about a week after we saw the movie. Read on to see how they compared.

It's 1954, and U.S. Marshals Teddy Daniels and Chuck Aule arrive at a small island in Massachusetts' Outer Harbor. It is home to Ashcliffe Hospital, a federal institution for the criminally insane, and one of the patients has escaped. Although the two men are new partners, they have already developed a wry, jocular relationship while also swapping personal, painful details. Daniels lost his much-loved wife two years prior in a fire, while Aule requested a transfer out of Seattle after being harassed over his personal relationship with a Japanese American woman. After interviewing the hospital's medical personnel, both men have the feeling they are being stonewalled, especially by the director, who seems to alternate between a cold authoritarianism and a sudden and sweeping compassion. When the island is hit by gale-force winds and Aule disappears, Daniels must go it alone, beset by the fear that he has been fed psychotropic drugs and the belief that the hospital is performing radical brain surgery as part of a secret-ops program. Lehane throws in one mind-bending plot twist after another in a psychological thriller that will leave readers in suspense right up to the end. 

Summary lifted from amazon.com. 

This is my first time reading one of Dennis Lehane's novels, although I've seen at least three movies adapted from his work so I had a pretty good idea of what to expect. I was a little surprised when I first started reading because I didn't feel drawn in right away. This was probably due to my high expectations, because after a while it became more of a page-turner and I found myself thinking about it when I had to put the book down. I loved this quote below so much that I wrote it down to include here. I think it's pretty representative of the overall sense of humor:

WHO IS 67?
(This is written on a note that's being read by the characters.)

Chuck said, "Fuck if I know."

Cawley stepped up beside him. "Quite similar to our clinical conclusion."

Okay, tell me that's not funny. You can't, can you?

I really enjoyed this book and I highly recommend it to everyone. It is so good! As I said above, it's a page-turner and I love the subtle humor. One thing that I found interesting is that I expected one story and found a completely different one. I liked where the story went, but it could have gone in a completely different direction and been just as good. I wrote down in my notes "how much violence can a man carry before it breaks him?" but I don't know if a character verbalized that theme or if I did, I can't remember writing it down. It hits the nail on the head pretty good. There was a lot of flickering between reality and delusions in dreams, which is generally not something I enjoy. Stream of consciousness is just not my thing. But it worked in this book. And finally, I completely related to Daniels' main struggle, which I can't elaborate on, because it's part of a great reveal. Suffice to say, I understood what motivated him (to a point, at least) and that made me enjoy the read all the more.

So how did the movie adaptation fare? Pretty well, although I enjoyed reading the book more than watching the movie. I thought the reveal of the truth, and the circumstances surrounding the reveal and the explanations of the truth, in the book was more effective. For one thing, the migraine dreams in the book seem more related to the reveal at the end than the dreams in the movie. The movie focused more on Daniels' experiences in World War II, something I'm still a little puzzled by. Perhaps Scorsese was more intrigued by that aspect than Lehane was? Also, the movie was a little more gruesome in its depictions of violence than the book and it didn't add anything to the story or my reactions to it. It was just a little more gruesome. But that's not to say that I didn't like the movie -- it's definitely worth seeing, especially for the atmosphere it created. The look of the settings and costumes is beautiful. I just thought the book was a better experience, something that is usually the case.

64. New England White by Stephen L. Carter

Colin read New England White awhile ago, and all I remembered about it was that it looked really long and the book jacket copy didn't sound that interesting. But I was complaining to him that I didn't have as many recommendations to choose from as I thought I might and on this particular day nothing on the list sounded intriguing. So he assured me that he really thought I would like New England White and I should give it a try. I trust his advice more now that we've been together for seven (seven!) years, so I checked the book out of the library and dove in.

When The Emperor of Ocean Park was published, Time Out declared: "Carter does for members of the contemporary black upper class what Henry James did for Washington Square society, taking us into their drawing rooms and laying their motives bare." Now, with the same powers of observation, and the same richness of plot and character, Stephen L. Carter returns to the New England university town of Elm Harbor, where a murder begins to crack the veneer that has hidden the racial complications of the town's past, the secrets of a prominent family, and the most hidden bastions of African-American political influence. At the center: Lemaster Carlyle, the university president, and his wife, Julia Carlyle, a deputy dean at the divinity school - African Americans living in "the heart of whiteness." Lemaster is an old friend of the president of the United States. Julia was the murdered man's lover years ago. The meeting point of these connections forms the core of a mystery that deepens even as Julia closes in on the politically earth-shattering motive behind the murder. Relentlessly suspenseful, galvanizing in its exploration of the profound difference between allegiance to ideas and to people, New England White is a resounding confirmation of Stephen Carter's gifts as a writer of fiction.

Summary lifted from the book jacket (this is what didn't sound interesting a few months ago). Colin typed it up for me because he can't stand my hunt-and-peck typing. 

My first reaction is that I can definitely trust Colin's opinion. He knows me well enough to have a good idea of what I'll enjoy. This did not used to be the case! When we had been together for six months, he swore up and down that he thought I would like Pirates of the Caribbean. Um, not so. That's 143 minutes of my life that I'll never get back. But, I digress.


I don't remember if I mentioned this before, but I create a Google Doc for each book that I read. I take notes as I read -- nothing major, just to help me remember what I want to write when I begin the blog post about that book. Then I write the post in my Google Doc and post it to the blog from there. It's a good system, and it's especially handy when I don't write my post until a few weeks after I finish the book (like this one, for instance). Okay, getting to my point: I took a lot of notes while reading New England White. I mean, I haven't taken so many notes on a book since I was in school. I knew that if I didn't, I would lose track of who was who and what was going on. Also, I had to look up a lot of words while reading -- the vocabulary was just out of my range. I even started to look up words that I was pretty sure I knew what meant just to be sure. It was kind of fun, if I'm being honest. And now I have the definitions of over 35 words in my Google Doc. (So I pretty much just geeked out, huh?)


At the center of New England White is an intricate mystery set in a richly imagined world populated with expertly drawn characters. Okay, I'm just trying to sound smart -- but it's all true! The mystery was laid out perfectly over the course of the book and I never lost interest in trying to crack it. Although you can tell that Carter is writing from experience, he's created this history for his characters that's not based in fact but sounds eerily plausible. (Is that cryptic? Whatever, maybe I'm just trying to sound smart again.*) I love how satisfying it was to read this book; Carter reveals information and motivations slowly, bit by bit, and every question has an answer in due time. The pacing was perfect. I love this book and I highly recommend it. Even if you're not too keen on mysteries, you'll probably enjoy being in this world for a few hours.

*It's okay, I know that I'm smart. I'm just self-deprecating. (And modest.)

And as a special treat, here is my list of definitions! In case you're interested, or if you want to reference it when you read New England White yourself.

sinecure: an office or position that requires little or no work and that usually provides an income
abstemiousness
    abstemious: marked by restraint especially in the consumption of food or alcohol
brio: enthusiastic vigor
hegemonic: the social, cultural, ideological, or economic influence exerted by a dominant group
conflagration: a large disastrous fire 
logier 
    logy: sluggish, groggy
consternation: amazement or or dismay that hinders or throws into confusion
pique: a transient feeling of wounded vanity
dudgeon: a fit or state of indignation, often used in the phrase in high dudgeon 
riposte: a retaliatory verbal sally 
    sally: a witty or imaginative saying
recalcitrance 
    recalcitrant: obstinately defiant of authority or restraint, difficult to manage or operate
desultory: marked by lack of definite plan, regularity or purpose
obsequity: state of being obsequious 
    obsequious: marked by or exhibiting a fawning attentiveness  
contretemps: an inopportune or embarrassing occurrence or situation
shirty: angry, irritated
ubiquitous: existing or being everywhere at the same time, constantly encountered
laconic: using or involving the use of a minimum of words, concise to the point of seeming rude or mysterious
avuncular: suggestive of an uncle especially in kindliness or geniality
visage: the face, countenance or appearance of a person
maundering: a rambling or pointless discourse
implacable: not capable of being appeased, significantly changed, or mitigated 
politesse: formal politeness 
sally: an action of rushing or bursting forth, a venture or excursion usually off the beaten path
supercilious: coolly and patronizingly haughty
erudition: extensive knowledge acquired chiefly from books
anomalous: inconsistent with or deviating from what is usual, normal or expected
dulcet: sweet to the taste, pleasing to the ear, generally pleasing or agreeable
oenology: a science that deals with wine and wine making 
factotum: a person having many diverse activities or responsibilities, a general servant
inexorable: not to be persuaded, moved or stopped
hortatory: using exhortation 
exhortation: an act or instance of exhorting
exhorting: to incite by argument or advice, urge strongly, to give warnings or advice, make urgent appeals
paucity: smallness of number
synesthesia: a concomitant sensation, esp. a subjective sensation or image of a sense other than the one being stimulated; the condition marked by experiencing such sensations
        concomitant: accompanying especially in a subordinate or incidental way
primogeniture: an exclusive right of inheritance belonging to the eldest son
mysophobic: a pathological fear of contact with dirt, to avoid contamination and germs
sanguine: confident, optimistic

Monday, May 3, 2010

63. Sweet Little Lies by Lauren Conrad

You can refer to this post and this post to understand why I picked Sweet Little Lies as book number 63. On to the plot summary!

Jane Roberts was the average girl next door until she and her best friend, Scarlett Harp, landed their own reality show, L.A. Candy. Now the girls have an all-access pass to Hollywood's hottest everything. But there's more to life on camera than just parties and shopping... When racy photos of Jane are leaked to the press, she finds herself at the center of a tabloid scandal. She turn to co-star Madison Parker for help, unaware that Madison is scheming behind the scenes. She might be Jane's shoulder to cry on, but does Madison really have Jane's back? Scarlett's working on a scandal of her own. She's fallen for someone who is strictly off-limits -- which means Scarlett has a big secret to keep... from the L.A. Candy cameras, the paparazzi staking out her apartment, even from her best friend. Of course, nothing stays secret for long for the stars of the newest hit TV series, and all this drama couldn't be better for ratings. But can Jane survive another season in the spotlight?

Lifted from the Harper Collins website.

While Sweet Little Lies was total cotton candy fun, it's still solidly written, well paced and by no means a vanity project. I'm biased because I have loved Lauren on her reality shows, but I really think she's a good writer and she definitely knows her source material and target audience to a tee.

As I mentioned in my post about L.A. Candy, the events are more "inspired by" Lauren's experiences than a behind-the-scenes tell-all but you still get tons of insidery details on the production of this kind of show. Lauren delves a little deeper into this world, revealing how the stars of reality shows court the tabloid press instead of the other way around. Jane discovers that her sympathetic co-worker was hired by the show producers to encourage her to date someone and talk about it on camera. And at one point, Jane finds herself confused over whether her ideas were her own or driven by producers' suggestions. And I wonder how long it took Lauren to break this code that's explained in the book:

BFF = best friend forever
BFFN = best friend for now
BFFC = best friend for cameras
    
It's always fun for me to try and figure out who inspired the different characters, and what that might mean about Lauren's relationship with them. For example, I don't think she and Audrina are too close these days; the character of Gaby is clearly based on her and there are some choice words about Miss Gaby:

At one party, Gaby was "wasting her time with some emo loser. That girl had such foul taste in men." Yeah, that's definitely payback for Audrina accusing Lauren slept with Justin Bobby on The Hills.
            
Ooh, and at a different party "Gaby wasn't very good at about checking her cell or following Dana's directions, not because she was stubborn and rebellious (like Scarlett), but because her tiny brain really couldn't process too many thoughts at the same time." That comes from the Heidi Montag-inspired character's point of view, but STILL! The gloves are off now!

There's some mystery surrounding that Heidi-inspired character, Madison, and I love it. The clues are blended into the storyline with skill, and not all is revealed by the end -- so I'll just have to read the next one, too. (Yay!) And I have to mention the female friendship aspect of the story. Jane and Scarlett are fighting and growing apart for the first time in their life-long friendship, and neither are handling it very well. This comes across very genuinely, for Lauren knows that which of she speaks, and I think a lot of women will find this to be relatable. At one point, Scarlett thinks to herself that "It was like she was watching their relationship change and she couldn't do anything about it." and guess what? Been there, done that. It's sad. And Lauren writes about it really well.

If this is your type of thing, please read Sweet Little Lies. It's so good! You won't be sorry.

Sunday, May 2, 2010

62. Tokyo Vice by Jake Adelstein

I can't remember if I read about this book online first or if I saw Adelstein interviewed on The Daily Show first. Either way, I really wanted to read this based on what I was hearing about it. I had plenty of time to get excited about it because there was a 4 month wait at the library. 4 MONTHS! Sheesh.

From the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police press club: a unique, first-hand, revelatory look at Japanese culture from the underbelly up. At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a life of crime... crime reporting, that is, at the prestigious Yomiuri Shinbun. For twelve years of eighty-hour workweeks, he covered the seedy side of Japan, where extortion, murder, human trafficking, and corruption are as familiar as ramen noodles and sake. But when his final scoop brought him face-to-face with Japan's most infamous yakuza boss - and the threat of death for him and his family - Adelstein decided to step down... momentarily. Then he fought back. In Tokyo Vice, Adelstein tells the riveting, often humorous tale of his journey from an inexperienced cub reporter - who made rookie mistakes like getting into a martial-arts battle with a senior editor - to a daring investigative journalist with a price on his head. With its vivid visceral descriptions of crime in Japan and an exploration of the world of modern-day yakuza that even few Japanese ever see, Tokyo Vice is a fascination, and an education, from start to finish.

Summary lifted from the book jacket. Colin typed it up for because he can't stand my hunt-and-peck typing.

So, yeah. When I hear about Tokyo Vice, I thought it was going to be all about Adelstein's troubles with the Yakuza. I didn't connect that the title refers to the vice beat that he covered as a reporter. There's a lot of ugly stuff in this book about human trafficking, the sex trade in Japan, and the police force's dismissive attitude toward rape victims. There was one chapter in particular about an all-night tour he was given of the sex shop area that really got to me. Also, some very bad things happen -- a friend of Adelstein's disappears while helping him track down a story and someone shows him graphic photos of a murder victim, claiming that the murdered woman is his missing friend. Also, Adelstein didn't come off as very likeable to me. He never really explains why he went to live in Japan in the first place, which I found off-putting. He's very honest and upfront about the less sympathetic choices that he makes, and I respect that. But it doesn't really change the fact that he wasn't someone I was whole-heartedly rooting for.

Okay, I think that covers the cons. Let's get to the pros. Adelstein provides extensive background on journalism in Japan, which is very interesting. He's a talented writer, I give him that. And I don't know a lot about Japan, so I enjoyed learning more about the country as he experienced it. Here's one quote that I thought was especially interesting:

"It says a great deal about the safety of the country [Japan] that a murder, any murder, is national news. There are exceptions, however, and that's when the victim is Chinese, a yakuza, a homeless person, or a nonwhite foreigner. Then the news value drops 50%."

That's something I probably never would have known otherwise. So it wasn't a complete waste of time, even if the review makes it sound that way at first.

Ultimately, I was expecting to read part crime story, part memoir along the lines of American Shaolin by Matthew Polly. Not the case. Suffice it to say that I wish I had realized what I was getting into. A different mindset going in would have helped me enjoy this book more or get something more out of it. 

Here's the interview with Adelstein on The Daily Show:


The Daily Show With Jon StewartMon - Thurs 11p / 10c
Jake Adelstein
www.thedailyshow.com
Daily Show Full EpisodesPolitical HumorTea Party


If you're interested, give the book a shot. You might love it, even if I didn't.

Saturday, May 1, 2010

61. Game Change by John Heilemann and Mark Halperin

I think most people felt the same way about the presidential election in 2008: The stakes were really high. Regardless of who they wanted to win, for a few months it was all people could talk about -- and talk they did, with a lot of passion. It was the kind of point in history that I think my kids will ask me about one day (when I eventually have kids, that is). So when I heard about Game Change, I placed a request for it at the library right away. I was still a bit late to the party, though; there were 24 people in line ahead of me. Now I'm here to tell you -- it was well worth the wait.

In 2008, the presidential election became blockbuster entertainment. Everyone was watching as the race for the White House unfolded like something from the realm of fiction. The meteoric rise and historic triumph of Barack Obama. The shocking fall of the House of Clinton - and the improbable resurrection of Hillary as Obama's partner and America's face to the world. The mercurial performance of John McCain and the mesmerizing emergence of Sarah Palin. But despite the wall-to-wall media coverage of this spellbinding drama, remarkably little of the real story behind the headlines has yet been told.

In Game Change, John Heilemann and Mark Halperin, two of the country's leading political reporters, use their unrivaled access to pull back the curtain on the Obama, Clinton, McCain and Palin campaigns. How did Obama convince himself that, despite the thinness of his resume, he could somehow beat the odds to become the nation's first African American president? How did the tumultuous relationship between the Clintons shape - and warp - Hillary's supposedly unstoppable bid? What was behind her husband's furious outbursts and devastating political miscalculations? Why did McCain make the novice governor of Alaska his running mate? And was Palin merely painfully out of her depth - or troubled in more serious ways?

Game Change answers those questions and more, laying bare the secret history of the 2008 campaign. Heilemann and Halperin take us inside the Obama machine, where staffers referred to the candidate as "Black Jesus." They unearth the quiet conspiracy in the U.S. Senate to prod Obama into the race, driven in part by the fears of senior Democrats that Bill Clinton's personal life might cripple Hillary's presidential prospects. They expose the twisted tale of John Edwards's affair with Rielle Hunter, the truth behind the downfall of Rudy Giuliani, and the doubts of those responsible for vetting Palin about her readiness for the Republican ticket - along with the McCain campaign staff's worries about her fitness for office. And they reveal how, in an emotional late-night phone call, Obama succeeded in wooing Clinton, despite her staunch resistance, to become his secretary of state.

Summary lifted from the book jacket. Colin typed it up for me because he can't stand my hunt-and-peck typing.

When Game Change first came out, people were buzzing about it. It seemed to me that every reviewer, blogger, member of the peanut gallery all had comments about how gossipy and salacious the book was, especially because they were questioning the writers' methods of quoting and paraphrasing -- and leaving unnamed -- sources. Based on the buzz, I assumed that the book wouldn't be very substantial. (And believe me, I would have been fine with that.) It could not have been further from the truth. It's... well, substantial. I read a lot of gossip, because that's my thing, and this book isn't gossip. At least, I didn't get that vibe.

The main focus is the battle between Barack Obama and Hillary Clinton during the primaries; you can tell that this pair of opponents fascinates Heilemann and Halperin. I would have been interested to read some more about the other major players, but the Barack-Hillary relationship dominates the story-telling. I didn't follow the primaries closely at all, especially after the downfall of Edwards, so parts of the book were actually kind of suspenseful, because I didn't know who won each primary. I was surprised by how invested I became during reading, because of course I already knew the ultimate outcome -- regardless of how you view their methods of quoting sources, you have to admit that that takes talent. I really wasn't expecting the book to focus on the primaries so much, and I was especially surprised that the election night was basically skipped over. The book concludes on the morning of November 5, and Obama convincing Clinton to come on board as Secretary of State. It wasn't an unpleasant surprise, but at the same time I would have been happy to read a book that zeroed in on the presidential election.

I liked reading about Obama because he comes across as a normal person. I think he's a great man, but at the end of the day he's still just a guy. And the writers recognize that, which is nice. Even though I do think he's a great man, I try not to drink the kool-aid on this one, you know? So it's refreshing to learn about the days when he lost his temper or complained about something, just like I've been known to do occasionally. (Right, Colin?) The Clintons are seriously fascinating. I think people will be writing about their dynamic and influence for years to come. And wow... I was so wrong about John Edwards. It's a little scary how off-base I was. Even taking everything in this book with a grain of salt, John comes across as a delusional pretty boy and Elizabeth is just plain scary. One staffer told the writers about one day when, after some crisis in the campaign, John left him a voicemail telling him that he did well and John understood that things happen and to keep his chin up (I'm paraphrasing, of course). The next voicemail the staffer received, basically moments later, was from Elizabeth chewing him out -- the staffer says that Elizabeth called him poison and "dead to them." Yeesh.

You can tell that the writers don't feel the McCain campaign was as compelling as the Democratic primaries. They do cover the trials and tribulations of McCain securing the nomination and fighting to keep his head above water during the presidential campaign, but not in nearly as much detail. It took a long time to get around to Sarah Palin, and when they did it fell a bit flat. I personally don't think much of her, but you can't deny that she's a lightning rod. No one's opinion of her is just "meh." Everyone has a strong and immediate love or hate of her. So I expected to be more invested while reading about her role, but I wasn't really. They try to make you wonder if she's mentally unstable, but their case is a bit thin. Don't get me wrong, there is some interesting stuff here, just not as much as I expected. (Expectations are everything, aren't they?)

I recommend that you check out this book if you're interested in learning more about this election. Enough time has passed to put events into perspective, and I think it would be interesting even if you had followed the news closely during this time. 

Tuesday, April 20, 2010

60. Shiver by Maggie Stiefvater

My friend Sarah recommended Shiver to me, and I immediately placed a request for it at the library. I will always, always take Sarah's recommendations. Not only does she have good taste but she's also a librarian and YA/children's author. She's currently revising her first YA novel, and I am dying to read it. Luckily, Sarah's in the market for a proofreader so I get to read it before she publishes. You should visit her blog, The Restless Writer, to read more about her writing adventures. (She mentions Shiver and its upcoming sequel in this post.)

The cold. Grace has spent years watching the wolves in the woods behind her house. One yellow-eyed wolf - her wolf - watches back. He feels deeply familiar to her, but she doesn't know why. The heat. Sam has lived two lives. As a wolf, he keeps the silent company of the girl he loves. And then, for a short time each year, he is human, never daring to talk to Grace . . . until now. The shiver. For Grace and Sam, love has always been kept at a distance. But once it's spoken, it cannot be denied. Sam must fight to stay human - and Grace must fight to keep him - even if it means taking on the scars of the past, the fragility of the present, and the impossibility of the future.

Plot summary lifted from the book jacket. Colin typed it up for me because he can't stand my hunt-and-peck typing.

I liked Shiver, but I didn't love it. It's definitely well-written and tells an interesting story. There's one specific reveal of information that I was pretty impressed by -- looking back, the clues are there but the reveal wasn't spoiled. I love that. Stiefvater skillfully laid the groundwork for a sequel, without leaving issues unresolved in a way that would frustrate readers. All in all, I thought it was a solidly decent YA novel.

So why didn't I love it? Shiver is the first YA novel that I've read that I honestly felt like I was too old to read it. (For the record, I'm 29 years old. I'll have to change the About Me section of the blog come November!) For example, throughout the book Sam thinks of song lyrics to describe the way he feels. The song lyrics made me cringe a little. I'm too old and jaded to appreciate them! While I appreciated the story, it just didn't grab me whole-heartedly. I'm not sure yet if I'm going to read the sequel this summer, but I am a little curious about what happens next so I might have to. If you have love for the YA or paranormal romance genres, I recommend trying out Shiver. I would be interested to hear your thoughts on it!